| BARRY'S 8 TRACK REPAIR |
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| Tips on getting the most for your 8 Track buck |
If you're considering the purchase of an 8 track machine, you've clicked on the right page! Over the years, I've been inside just about every unit there is, and can help steer you to a machine that will give the best service, as well as helping you avoid the lemons that will give you nothing but frustration and disappointment. Most 8 Track machines are fairly simple in design, which means that a recently serviced and restored machine will almost always deliver acceptable performance for many years. But you may be surprised at what you should avoid, and what you should expect, from that exciting eBay find or that $5 special you ran into at the nearby yard sale. Read on, and you'll get a complete education on the wonderful world of the 8 Track machine. Thanks for visiting and Happy Tracking! |
eBay You'll find tons of 8 Track machines on eBay in varying condition. The seller will generally pop in a tape, run it for a few minutes and conclude that the machine "works great". And it may be perfectly true that the tape indeed played music, the track change button did its job and the seller was not lying. But you should ALWAYS expect a machine to need some kind of repair very soon, and it will likely start acting up the moment you first plug it in and start using it. About 75% of all the jobs I get are from disgruntled eBay buyers who thought they were getting fully functioning machines, but it's unrealistic to expect a 30 year old machine to give acceptable performance without a little professional care. You'll find a few sellers who do their own work on the machines before listing them. A common practice is to replace the belt, tweak the adjustments a bit, clean the controls and call it "serviced". These machines are slightly less risky to purchase, but you should look for some kind of guarantee or return policy before plunking down a large chunk of cash for these units. And remember, most sellers will make you pay the return shipping charges - which are sometimes more than you paid for the machine! NEW IN BOX, OR N.O.S. (New Old Stock) These are machines left over from the 60's and 70's that were never sold, and are still in their original, sealed factory packages. You may think you're getting a machine that will operate perfectly and sound great right out of the box. Think again! Unless you are extremely lucky, these machines will have the following problems: 1. The belt has been in the same position for 30 years, and may have even melted from sitting in a garage or warehouse. "Belt Melt" is one of the most common 8 track problems by the way, and they sometimes seep into the motor, creating a gooey mess that takes hours to fully remove. Even if the belt hasn't melted, it is now permanently reformed, with a small radius at the motor pulley and a large radius at the capstan. It will likely stay in one place while the motor helplessly spins trying to turn it. At the very least, it will sound "jerky" as the smaller radius repeatedly runs past the pulley. 2. The factory lubricant has not had a chance to spread throughout the mechanism, and is also dried up from age. The track change mechanism depends heavily on this lubricant for smooth performance, and you will likely have problems with track change. 3. The electrolytic capacitors in the unit have sat for years with no current going through them, and could easily fail from the sudden current surge when you first operate the machine. In extreme cases, they will even explode and spray ACID all through the inside of your machine. This, incidentally, will not harm the machine but you won't get any sound if they do fail. 4. Transistors, after sitting for years without being used, are prone to becoming very noisy. They will sometimes produce a loud static, so loud that it drowns out the music. I have purchased only two "new in box" units, and both had this problem. Tracking down a noisy transistor falls under the "major repair" category and could be expensive to fix, not to mention recapping the entire unit. Bottom line: Buy a "new in box" unit because you want flawless external appearance, but do expect to have it repaired very soon - it will surely need attention. |
The straight dope on brands and models - good and bad AKAI - the absolute best and most reliable after servicing. All except the CR-83 use huge AC motors synchronized to the AC line, which means the speed is always constant. Great electronics, but also expensive to repair. PIONEER - Another great brand, but usually not quite worth the money they sometimes fetch. Fine-sounding decks with cheap but adjustable DC motors, solid mechanisms and usually many cool features like fast-forward and end-of-tape auto-stop. The H-R99 and H-R100 are the most popular. The H-R100 has Dolby noise reduction. WOLLENSAK - These decks sound fantastic, but the audio boards are very hard to get to, making these machines a bit more expensive to repair in many cases. SOUNDESIGN - Very sharp-looking products with really cheap electronics inside. Some of the Soundesign machines have great treble response, making them ideal for 8 track playback. But the motors and mechanisms tend to be pretty wimpy, and won't always pull a stubborn tape through smoothly. Cheaply built, but decent machines. REALISTIC - Despite Radio Shack's bad rap, Realistics are actually very well-built and designed products, sometimes manufactured by Shure and other fine companies, and some models use the same chassis found in Toshiba units. Bad rap, good stuff! PANASONIC - Very good machines all around, usually found at good prices. ELECTROPHONIC - With the exception of the models that have a front panel head adjustment (very handy for misaligned tapes), Electrophonics are basically cheap pieces of junk, using small-diameter capstans and cheap mechanisms. I would avoid spending much money on an Electrophonic - but there are times when that front panel head adjustment is an absolute necessity, so keep one around if you do a lot of CD transfer jobs and don't want to go inside your machines. In general, brands which tout a name like "Super Sound", etc. are usually junk behind a persuasive name, while the better brands tend to proudly state the name of the designer or manufacturer. Just about any brand can be made to sound good and perform well, but the brands at the top of the list will deliver solid and satisfactory performance for years to come, and are worth the extra investment. Happy Tracking! |
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